CAPITANI, Maria Elena

CAPITANI, Maria Elena  

Dipartimento di Discipline Umanistiche, Sociali e delle Imprese Culturali  

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Risultati 1 - 20 di 22 (tempo di esecuzione: 0.02 secondi).
Titolo Data di pubblicazione Autore(i) File
"A New Reality: Shelagh Delaney's 'A Taste of Honey' (1958)" 1-gen-2020 Capitani, Maria Elena
"A Tale of Two Countries: The Shadow of Brexit in Ali Smith’s 'Autumn' (2016) and Amanda Craig’s 'The Lie of the Land' (2017)" 1-gen-2021 Capitani, Maria Elena
"An English Playwright on the Italian Stage: Exporting, Translating and Staging Martin Crimp's Drama" 1-gen-2019 Capitani, Maria Elena
"Blood and Ice", or Liz Lochhead's 'Hideous Progeny' 1-gen-2020 Capitani, Maria Elena
"The Politics of Spectatorship: Community, Ethics and Affect in Contemporary British Rewritings of Ancient Tragedies" 1-gen-2019 Capitani, Maria Elena
"The Sense of (Un)Belonging: David Greig’s (Un?)Scottishness in 'Pyrenees' and 'Damascus'" 1-gen-2017 Capitani, Maria Elena
"Virality, Slipperiness and Challenges: Adaptation Studies and/on the Contemporary Anglophone Stage" A Critical Review of Graham Saunders. 2017. "Elizabethan and Jacobean Reappropriation in Contemporary British Drama: 'Upstart Crows.'" London: Palgrave Macmillan. xi + 194 pp. ISBN: 978-1-137- 44452-3. Catherine Rees. 2017. "Adaptation and Nation: Theatrical Contexts for Contemporary English and Irish Drama". London: Palgrave Macmillan. ix + 185 pp. ISBN: 978-1-137-42586-7. Kara Reilly, ed. 2018. "Contemporary Approaches to Adaptation in Theatre". London: Palgrave Macmillan. xxix + 357 pp. ISBN: 978-1-349-95580-0. 1-gen-2021 Capitani, Maria Elena
(Review) Mark S. Lussier, “Romantic Dharma: The Emergence of Buddhism into Nineteenth-Century Europe”, New York: Palgrave Macmillan, 2011 1-gen-2011 Capitani, Maria Elena
(Review) “‘A Myriad of Literary Impressions’: L’intertextualité dans le roman anglophone contemporain”, ed. by E. Walezak & J. Dupont, Perpignan: Presses Universitaires de Perpignan, 2010, 1-gen-2012 Capitani, Maria Elena
“Appropriating 'Macbeth' in the Contact Zone. The Politics of Place, Space, and Liminality in David Greig’s 'Dunsinane'” 1-gen-2016 Capitani, Maria Elena
“Blurring Ethical Boundaries: (Im)Moral Ambiguity in Martin Crimp’s Characters” 1-gen-2011 Capitani, Maria Elena
“Dealing with Bodies: The Corporeal Dimension in Sarah Kane’s 'Cleansed' and Martin Crimp’s 'The Country'” 1-gen-2013 Capitani, Maria Elena
“Drammaturgia transtestuale. Martin Crimp fra autocitazione e riscrittura” 1-gen-2011 Capitani, Maria Elena
“From Page/Stage to Screen through Poetry: Relocation, Rewriting, and Remediation in Tony Harrison’s 'Prometheus'” 1-gen-2016 Capitani, Maria Elena
“Narratives of Terror: Palinsesti, Displacement e Englishness nei drammi di Martin Crimp e Simon Stephens” 1-gen-2018 Capitani, Maria Elena
“Nineties Lear: Neo-Jacobean Echoes in Martin Crimp’s and Sarah Kane’s ‘In-Yer-Face’ Drama” 1-gen-2019 Capitani, Maria Elena
“Non-Places as Sites for Intercultural Clashes in Sarah Kane’s 'Blasted' and David Greig’s 'Damascus'” 1-gen-2017 Capitani, Maria Elena
“Quoting the Canon, Demystifying Poetry: Bernardine Evaristo’s 'The Emperor’s Babe' Between Tradition and Innovation” 1-gen-2018 Capitani, Maria Elena
“Re-Membering the Bard: David Greig’s and Liz Lochhead’s Re-visionary Reminiscences of 'The Tempest'” 1-gen-2017 Capitani, Maria Elena
“The Crimpesque: Pinter’s Legacy in the Theatre of Martin Crimp” 1-gen-2021 Capitani, Maria Elena