This essay discusses the presence of mnemonic imagery in mid-sixteenth century ceremonial entries through an analysis of tableaux vivants and triumphal arches erected in the 1540s in honour of Henri II of Valois, Charles V, and Philip II. The conclusion highlights how these ephemeral assemblages exploit the multisensory attributes of the art of memory to fabricate historical narratives. An epilogue explores the contributions of digital archives to the study of early modern representations of memory.
The Art of Memory in Sixteenth-century Civic Celebrations: Tableaux Vivants, Triumphal Arches and their Digital Afterlife / Quiviger, F.. - In: RICERCHE DI S/CONFINE. - ISSN 2038-8411. - 2024, XII, 1, Archivi della festa e dello spettacolo:(2024 Dec).
The Art of Memory in Sixteenth-century Civic Celebrations: Tableaux Vivants, Triumphal Arches and their Digital Afterlife
2024-12-01
Abstract
This essay discusses the presence of mnemonic imagery in mid-sixteenth century ceremonial entries through an analysis of tableaux vivants and triumphal arches erected in the 1540s in honour of Henri II of Valois, Charles V, and Philip II. The conclusion highlights how these ephemeral assemblages exploit the multisensory attributes of the art of memory to fabricate historical narratives. An epilogue explores the contributions of digital archives to the study of early modern representations of memory.| File | Dimensione | Formato | |
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Fran�ois Quiviger - The art of memory.pdf
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