The quotability of films entails – albeit in different ways – relevant methodological problems both for directors and for scholars. For these reasons, it is important to restrict the range of action of quotations. Moreover, as far as cinema is concerned, it would be suitable to follow Genette's classification (1982). Through the analysis of some movies from the collective opera Chacun son cinéma (2007) and, specifically, through the examination of films shot by Hou Hsiao-Hsien, Abbas Kiarostami, Jean-Pierre and Luc Dardenne, and Atom Egoyan – this article offers a proposal for the study of some possibilities of quotation in movies.
Chacun sa citation / Guerra, M.. - In: PAROLE RUBATE. - ISSN 2039-0114. - 2010, 2:(2010).
Chacun sa citation
Guerra, Michele
2010-01-01
Abstract
The quotability of films entails – albeit in different ways – relevant methodological problems both for directors and for scholars. For these reasons, it is important to restrict the range of action of quotations. Moreover, as far as cinema is concerned, it would be suitable to follow Genette's classification (1982). Through the analysis of some movies from the collective opera Chacun son cinéma (2007) and, specifically, through the examination of films shot by Hou Hsiao-Hsien, Abbas Kiarostami, Jean-Pierre and Luc Dardenne, and Atom Egoyan – this article offers a proposal for the study of some possibilities of quotation in movies.| File | Dimensione | Formato | |
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