This article proposes a new interpretative framework for Boethius’s theory of modality in the Consolation of Philosophy, centred on the concept of motion. I argue that motion functions as a conceptual primitive in Boethius’s modal metaphysics, underpinning his accounts of necessity, contingency, fate, and freedom. Rather than treating modal notions primarily as logical or propositional categories, Boethius articulates them through a rich kinetic vocabulary that structures both the cosmos and the movements of the human soul. The article identifies and analyses seven fundamental kinetic configurations operative in the Consolatio – including absolute immobility, irregular motion, circular motion, centripetal and centrifugal movement, ascent, and descent – and shows how each corresponds to a distinct modal configuration. Methodologically, the analysis treats the Consolatio as a unified philosophical work in which prose and metrical sections jointly contribute to conceptual argumentation. By reconstructing Boethius’s modal concepts through this hierarchy of motions, the article offers a unified reading of the Consolatio that integrates its metaphysical, theological, and psychological dimensions. This kinetic approach clarifies Boethius’s rejection of chance understood as physical indeterminacy, while preserving a robust notion of contingency and freedom, and sheds new light on longstanding debates concerning determinism and compatibilism in the Consolatio.
‘I will fasten wings to your mind, by which it may soar aloft’: motion and modalities in Boethius’s Consolatio Philosophiae / Binini, I.. - In: BRITISH JOURNAL FOR THE HISTORY OF PHILOSOPHY. - ISSN 0960-8788. - 34:5(2026). [10.1080/09608788.2026.2732960]
‘I will fasten wings to your mind, by which it may soar aloft’: motion and modalities in Boethius’s Consolatio Philosophiae
Irene Binini
2026-01-01
Abstract
This article proposes a new interpretative framework for Boethius’s theory of modality in the Consolation of Philosophy, centred on the concept of motion. I argue that motion functions as a conceptual primitive in Boethius’s modal metaphysics, underpinning his accounts of necessity, contingency, fate, and freedom. Rather than treating modal notions primarily as logical or propositional categories, Boethius articulates them through a rich kinetic vocabulary that structures both the cosmos and the movements of the human soul. The article identifies and analyses seven fundamental kinetic configurations operative in the Consolatio – including absolute immobility, irregular motion, circular motion, centripetal and centrifugal movement, ascent, and descent – and shows how each corresponds to a distinct modal configuration. Methodologically, the analysis treats the Consolatio as a unified philosophical work in which prose and metrical sections jointly contribute to conceptual argumentation. By reconstructing Boethius’s modal concepts through this hierarchy of motions, the article offers a unified reading of the Consolatio that integrates its metaphysical, theological, and psychological dimensions. This kinetic approach clarifies Boethius’s rejection of chance understood as physical indeterminacy, while preserving a robust notion of contingency and freedom, and sheds new light on longstanding debates concerning determinism and compatibilism in the Consolatio.I documenti in IRIS sono protetti da copyright e tutti i diritti sono riservati, salvo diversa indicazione.


