After a huge non-invasive diagnostic campaign performed on the corpus of Giovanni Santi’s artworks, three paintings were selected and investigated: the Martyrdom of Saint Sebastian panel, the Visitation altarpiece and the canvas with Tobias and the Archangel Raphael (c. 1487 and 1494). Micro-invasive investigations including optical microscopy, ESEM-EDX, micro-Raman spectroscopy, FTIR and FTIR-ATR spectroscopy and GC-MS were carried out on selected micro samples. The results of the integrated analyses confirmed the use of a Renaissance palette
Giovanni Santi’s late 15th-century paintings: microscopic, spectroscopic and chromatographic investigations on pigments, powdered glass and binding media / Letizia Amadori, M., Poldi, G., Camaiti, M., Frezzato, F., Casoli, A., Monni, E., Germinario, G., Pedulli, C., Mengacci, V.. - In: APPLIED SCIENCES. - ISSN 2076-3417. - 13:17(2023), p. 9739.
Giovanni Santi’s late 15th-century paintings: microscopic, spectroscopic and chromatographic investigations on pigments, powdered glass and binding media
Gianluca PoldiSupervision
;Antonella CasoliInvestigation
;
2023-01-01
Abstract
After a huge non-invasive diagnostic campaign performed on the corpus of Giovanni Santi’s artworks, three paintings were selected and investigated: the Martyrdom of Saint Sebastian panel, the Visitation altarpiece and the canvas with Tobias and the Archangel Raphael (c. 1487 and 1494). Micro-invasive investigations including optical microscopy, ESEM-EDX, micro-Raman spectroscopy, FTIR and FTIR-ATR spectroscopy and GC-MS were carried out on selected micro samples. The results of the integrated analyses confirmed the use of a Renaissance paletteI documenti in IRIS sono protetti da copyright e tutti i diritti sono riservati, salvo diversa indicazione.
