The first decades in the history of Jesuit college theatre are the most interesting and experimental phases of this educational and artistic phenomenon. A comparative study of the plays of some major Jesuit playwrights of the time (Venegas, Benci, Stefonio) reveals the artifices of a didactic of passions, where solidarity inside the Order, heroic temperament and attitude to self-sacrifice are fostered by a reviving of the ideal of socratic love and Platonic four furores, shaped in order to fit Biblical plots and the need for a more essoteric communication aimed at wider civic audiences.
La didattica delle passioni. Peculiarità e paradossi del teatro gesuita delle origini / Salvarani, Luana. - In: STUDI SULLA FORMAZIONE. - ISSN 2036-6981. - XVII:I-2014(2014), pp. 203-218. [http://dx.doi.org/10.13128/Studi_Formaz-15042]
La didattica delle passioni. Peculiarità e paradossi del teatro gesuita delle origini
SALVARANI, Luana
2014-01-01
Abstract
The first decades in the history of Jesuit college theatre are the most interesting and experimental phases of this educational and artistic phenomenon. A comparative study of the plays of some major Jesuit playwrights of the time (Venegas, Benci, Stefonio) reveals the artifices of a didactic of passions, where solidarity inside the Order, heroic temperament and attitude to self-sacrifice are fostered by a reviving of the ideal of socratic love and Platonic four furores, shaped in order to fit Biblical plots and the need for a more essoteric communication aimed at wider civic audiences.| File | Dimensione | Formato | |
|---|---|---|---|
|
15042-29958-1-PB.pdf
accesso aperto
Descrizione: Articolo in PDF
Tipologia:
Versione (PDF) editoriale
Licenza:
Creative commons
Dimensione
868.83 kB
Formato
Adobe PDF
|
868.83 kB | Adobe PDF | Visualizza/Apri |
I documenti in IRIS sono protetti da copyright e tutti i diritti sono riservati, salvo diversa indicazione.
