Within the process of esperantization of Dante’s work, in particular of his Comedy, the rendering in ‘lingvo internacia’ (international language) of “tanto gentile e tanto onesta pare”, sonnet contained in chapter XXVI of Vita Nova, can be chosen as an eloquent example. Five different versions of it are analyzed here – respectively by Antoni Grabowski (1913), Pier Carlo Monti (1914), Enrico Dondi (1956, 2003) and Kálmán Kalocsay (1987) – presenting them briefly together with their respective authors, and framing them in their period and in the editorial location, aiming to a more general conclusion about the diachronic aspects of Esperanto.

Tanto gentile e tanto onesta pare. Di un sonetto dantesco e del piano diacronico di una lingua pianificata / Astori, Davide. - STAMPA. - (2021), pp. 31-47.

Tanto gentile e tanto onesta pare. Di un sonetto dantesco e del piano diacronico di una lingua pianificata

astori
2021

Abstract

Within the process of esperantization of Dante’s work, in particular of his Comedy, the rendering in ‘lingvo internacia’ (international language) of “tanto gentile e tanto onesta pare”, sonnet contained in chapter XXVI of Vita Nova, can be chosen as an eloquent example. Five different versions of it are analyzed here – respectively by Antoni Grabowski (1913), Pier Carlo Monti (1914), Enrico Dondi (1956, 2003) and Kálmán Kalocsay (1987) – presenting them briefly together with their respective authors, and framing them in their period and in the editorial location, aiming to a more general conclusion about the diachronic aspects of Esperanto.
9788898640645
Tanto gentile e tanto onesta pare. Di un sonetto dantesco e del piano diacronico di una lingua pianificata / Astori, Davide. - STAMPA. - (2021), pp. 31-47.
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/11381/2933401
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