SCHEDE STORICO-CRITICHE RELATIVE ALLE SEGUENTI OPERE: Bernhard & Hilla Becher, Form genom funktion. Fotografisk dokumentation av industribyggnader, 1970; Joseph Beuys, Noiseless Blackboard Eraser, 1974; Daniel Buren, Répertoire, 1998; Henri Chopin, Revue Ou, 1958/1974; Gianni Colombo, Strutturazione acentrica, 1962; Peter Cook, Net, 1975/1979; Guy Debord, La società dello spettacolo, 1968; Olafur Eliasson, Little Sun, 2012; Lucio Fontana in Otto Hahn, Portrait d’Antonin Artaud, 1968; Marco Fusinato, From The Horde to the Bee, 2015; Global Tools (Archizoom, Remo Buti, Casabella, Riccardo Dalisi, Ugo La Pietra, 9999; Gaetano Pesce, Gianni Pettena, Ettore Sottsass, Superstudio, UFO, Zziggurat), Global Tools. Laboratori Didattici Per la Creatività Individuale, 1973/1975; Dan Graham, One, 1967/1991; Allan Kaprow, Collagen, environments, videos, broschüren, geschichten, happening-und activity-dokumente, 1956/1986, 1986; Jannis Kounellis, Kounellis, 1978; Sherrie Levine, Salubra, 2007; Gordon Matta Clark, Walls Paper, 1973; Bruno Munari, Il libro illeggibile MN4, 1994; Ohio Photomagazin, Ohio Photomagazin, 1995- Claes Oldenburg, N.Y.C. Pretzel, 1994; Giulio Paolini, Exit, 1996; Tobias Rehberger, Good night & good luck, 2008; Gerwald Rockenschaub, Ohne title, 2009; Edward Ruscha, Thirtyfour Parking Lots in Los Angeles, 1967; David Shrigley, I collect Records. I am obsessed with them (Frisbee, stupid Frisbee), 2012; S Press Tonband, 1970 Franco Vaccari, Artist’s Atelier, 1997; Bill Viola, Selected Works, 1986; Vision, 1975/1981; Andy Warhol, Now Aspen is an All New Fab/Aspen Magazine n. 3, December 1966; 9999/Superstudio, Vita, morte e miracoli dell’architettura, 1971