English Romanticism offers several significant examples of intersections among esoterism, magic and the supernatural, the Spanish literary tradition, and Spain as an object of representation. To begin with, a manifestation of these intersections is Percy Bysshe Shelley’s and Lord Byron’s interest for the theatre of Calderón and its influence on their representations of the power of supernatural and demonic forces over the human dimension. Inatead, another series of works — by Walter Scott, Charles Robert Maturin and Edward Bulwer Lytton, among others — depicts Spain as a land historically linked to the development of magic in Europe and where, in turn, magic and the supernatural fatally bear upon natural and human reality. Through this dual analytical perspective, this article recovers the association between Spain, the supernatural and the superhuman as a central element of the vision of this country as a problematic place for the English, and more generally European, Romantic imagination.

“’A favourite residence of magicians’: magia y esoterismo peninsulares en el romanticismo inglés” / Saglia, Diego. - STAMPA. - (2020), pp. 73-88.

“’A favourite residence of magicians’: magia y esoterismo peninsulares en el romanticismo inglés”

saglia, diego
2020-01-01

Abstract

English Romanticism offers several significant examples of intersections among esoterism, magic and the supernatural, the Spanish literary tradition, and Spain as an object of representation. To begin with, a manifestation of these intersections is Percy Bysshe Shelley’s and Lord Byron’s interest for the theatre of Calderón and its influence on their representations of the power of supernatural and demonic forces over the human dimension. Inatead, another series of works — by Walter Scott, Charles Robert Maturin and Edward Bulwer Lytton, among others — depicts Spain as a land historically linked to the development of magic in Europe and where, in turn, magic and the supernatural fatally bear upon natural and human reality. Through this dual analytical perspective, this article recovers the association between Spain, the supernatural and the superhuman as a central element of the vision of this country as a problematic place for the English, and more generally European, Romantic imagination.
2020
978-84-1340-108-9
El Romanticismo inglés ofrece varios ejemplos significativos de intersecciones entre lo esotérico, mágico y sobrenatural, la tradición literaria española, y España como objeto de representación. Para empezar, una manifestación de estas intersecciones es el interés de Percy Bysshe Shelley y Lord Byron por el teatro de Calderón y el influjo de éste sobre sus representaciones del poder de las fuerzas sobrenaturales y demoníacas en la dimensión humana. En vcambio, otra serie de obras — de Walter Scott, Charles Robert Maturin y Edward Bulwer Lytton, entre otros — representa España como una tierra históricamente ligada al desarrollo de la magia en Europa y donde, por consiguiente, lo mágico y lo sobrenatural entran fatalmente en contacto con la realidad natural y humana. Mediante esta doble perspectiva de ánalisis, este artículo recupera la asociación entre lo español y lo sobrenatural y sobrehumano como un elemento central de la visión de España cual lugar problemático en la imaginación de los románticos ingleses y, más en general, europeos.
“’A favourite residence of magicians’: magia y esoterismo peninsulares en el romanticismo inglés” / Saglia, Diego. - STAMPA. - (2020), pp. 73-88.
File in questo prodotto:
Non ci sono file associati a questo prodotto.

I documenti in IRIS sono protetti da copyright e tutti i diritti sono riservati, salvo diversa indicazione.

Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/11381/2880738
Citazioni
  • ???jsp.display-item.citation.pmc??? ND
  • Scopus ND
  • ???jsp.display-item.citation.isi??? ND
social impact