Many pre-state societies around the world give special importance to places where distinctive acoustic effects are generated. These places often receive special treatment including the production of rock paintings in them. In the Western Mediterranean, it seems that outstanding acoustic effects such as directional echoes, augmented audibility and long reverberation time are present in some rock art areas with Neolithic depictions made between the 7th and 4th millennia BC. These have been painted in different styles that have been given the name of Macroschematic, Levantine and Schematic rock art styles. On the basis of the results of our acoustic tests, we argue that there is a strong probability of acoustics having been used as a method by Neolithic artists to select the shelters in which to produce rock art. This paper presents the results of the ongoing ARTSOUNDSCAPES ERC Project on archaeoacoustics. This project seeks to explore the role of sound in the creation and use of rock art sites. he authors discuss the results of previous fieldwork in three countries (Spain, France and Italy) and the development of an innovative set of research methods that include 3D Ambisonic recordings, GIS soundshed analysis, and Transmission Loss measurements.

Acoustic effects at prehistoric landscapes: An archaeoacoustics analysis of rock art sites from the Western Mediterranean / Diaz-Andreu, M.; Farina, A.; Armelloni, E.; Coltofean, L.; Picas, M.; Mattioli, T.. - 2019-:(2019), pp. 281-287. ((Intervento presentato al convegno 23rd International Congress on Acoustics: Integrating 4th EAA Euroregio, ICA 2019 tenutosi a deu nel 2019 [10.18154/RWTH-CONV-238893].

Acoustic effects at prehistoric landscapes: An archaeoacoustics analysis of rock art sites from the Western Mediterranean

Farina A.;Armelloni E.;
2019

Abstract

Many pre-state societies around the world give special importance to places where distinctive acoustic effects are generated. These places often receive special treatment including the production of rock paintings in them. In the Western Mediterranean, it seems that outstanding acoustic effects such as directional echoes, augmented audibility and long reverberation time are present in some rock art areas with Neolithic depictions made between the 7th and 4th millennia BC. These have been painted in different styles that have been given the name of Macroschematic, Levantine and Schematic rock art styles. On the basis of the results of our acoustic tests, we argue that there is a strong probability of acoustics having been used as a method by Neolithic artists to select the shelters in which to produce rock art. This paper presents the results of the ongoing ARTSOUNDSCAPES ERC Project on archaeoacoustics. This project seeks to explore the role of sound in the creation and use of rock art sites. he authors discuss the results of previous fieldwork in three countries (Spain, France and Italy) and the development of an innovative set of research methods that include 3D Ambisonic recordings, GIS soundshed analysis, and Transmission Loss measurements.
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Utilizza questo identificativo per citare o creare un link a questo documento: http://hdl.handle.net/11381/2887361
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