Perceived room size and source distance in five simulated concert auditoria

Room impulse responses (stereophonic and binaural) were recorded using identical procedures in five concert auditoria: the large, medium and small halls of Rome's Parco della Musica, Parma's Auditorium Paganini, and Kirishima's Miyama Conseru. A subjective test was conducted, using an anechoic recording of a piano accordion convolved with these impulse responses, and reproduced over four audio systems (binaural headphones, conventional stereophony, stereo dipole and double stereo dipole). The frequency responses of these playback systems were matched, and the playback level was realistic for the instrument and auditoria. Results indicate that the audio system can significantly affect distance estimation and realism judgments (with a non-significant effect on room size ratings). The situation (auditorium and seat position) significantly affects distance estimations and room size ratings (but not realism ratings). Room acoustical parameters were determined from for each situation, and relationships between these and the auditory distance and room size judgments were investigated. Auditory distance perception is primarily correlated (negatively) to the reproduced sound pressure level. Results for perceived room size are more complex, and demand further research for interpretation. Results tentatively indicate that among these non-individualized two-channel systems, the single stereo dipole system provides a plausible reproduction of the auditorium acoustical environment for the purpose of subjective assessment.